![]() Neither would let any of their songs get dropped from the play list. Both songwriters kept contributing songs left and right until both had written an album a piece. Grant was not about to stop writing just because Bob told him to stop. However, Mould stated that Grant would “never have more than half the songs on a Husker Du album.” In fact, his songs nearly equal Bob’s for the first time on a Husker Du album. Although Grant was a serious addict, he was contributing more and more songs to the band. Bob and Greg had done their fair share of drinking and drugging but had left those days behind for the most part.Īnother serious problem was indicated by the length of the album: unlike “Zen Arcade” it was not a double album by choice or by concept by due to the band’s stubbornness. Grant was a serious heroin addict at the time, a problem which was causing serious friction between Grant, Greg and Bob especially. ![]() However, the relative calm of the album actually masked serious problems in the band. All of these changes could be seen as serious “problems” or at the very least a complete degradation of the band’s style. The lyrics had also become much more introverted, personal and rarely anything less than very serious. In its place, was a slower paced, more textured sound that relied more on pop melodies than ever before. Indeed, “Warehouse: Songs and Stories” was much mellower than even “Candy Apple Grey.” Although the band was obviously still a hard hitting rock band, the absolute dedication to speed and hard hitting fuzz was mostly dissipated. The name seemed to reflect a newfound maturity that was at arms with their old punk rock past. The title wasn’t a vicious call to arms or an aggressive political statement. It would take them four months to record their last album, the double length “Warehouse: Songs and Stories” named after their rehearsal space and the feel of their new songs. You Can Live At Home NowĪfter “Candy Apple Grey” the band took a longer time to get to the studio than normal: in fact, most of 1986 passed before they got into the studio in August.
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He tells himself that instead he must comply with Iron Man’s dying request that Hawkeye keep moving, trying to find enough Avengers still alive to make some sort of last stand against Kang and his Legion of the Unliving.Įlsewhere in the Labyrinth of Limbo, Kang the Conqueror stalks the corridors followed by three more of the villains he plucked from death’s door. He counsels himself that even if he attacks the creature and wins, it still won’t bring the Vision back to life. Hawkeye – in a rare example of keeping his temper in check – restrains himself from attacking the creature carrying the Vision. First the Swordsman, then Iron Man (last installment) and now the Vision. The Avenger Hawkeye catches sight of the Glob/ Frank lugging the Vision along and nearly succumbs to despair. Head tilting like a curious dog the creature walks along with its perplexing burden. (I’ll spare you my rant this time around.) Frank/ The Glob carries the Vision like a prize discovery, albeit one he can scarcely comprehend. It is the Frankenstein Monster/ Should be the Hulk’s dead foe the Glob or some similar dead Hulk villain. We readers get to see which member of the Legion of the Unliving absconded with the Vision’s corpse, however. Try though she may she cannot find the culprit in the confusing maze of tunnels and corridors. Before she can pursue those thoughts she realizes the Vision’s dead body has been taken away by an unknown party. The Vietnamese Avenger defeats the black-clad villain despite his use of weapons like Ninja Stars and nunchuku.Īgain she wonders how her human weaknesses like the anger she just showed fighting Midnight qualify her to be the Celestial Madonna. Mantis and Midnight do battle again, this time to the finish since their first battle was interrupted. Kang had plucked Midnight from his death hoping that Midnight’s martial arts skills would enable him to bring in Mantis alive to become Kang’s bride. Soon Mantis’ grief is interrupted as she is attacked from behind by Midnight, the evil half-brother of Shang-Chi, Master of Kung Fu. (Wanda is really back at Avengers Mansion, still being tutored by the sorceress Agatha Harkness.) Mantis redeems herself a bit more by painfully letting the Vision believe the happy but false impression. With his tale done the delirious Vision hallucinates that his beloved Wanda, the Scarlet Witch is the woman with him as he dies, not Mantis. That soldier of Kang then used the Vision’s own tactic against him, with the result that the Vision suffered so much damage from his foe’s arm that he is near death, while the Ghost simply vanished from the area. He recounts to the now-weeping Mantis how he fought the Silver Surfer’s immensely powerful old foe the Ghost – one of Kang’s Legion of the Unliving. Even the Vision’s devastating tactic of plunging his intangible arm inside the Ghost’s torso and partially solidifying it could not defeat the villain. The Vision cannot move his android body and is delirious with pain. Synopsis: Mantis cradles the Vision’s dying body like she did with her lover the Swordsman several days earlier when he died at Kang’s hands. Mantis, led by the Vision’s scream of agony, found him lying near death after his battle with a member of Kang’s Legion. If not, he’ll simply return them to meet their deaths. If they help him obtain Mantis and kill the rest of the Avengers he’ll let them live. Mantis and her fellow Avengers – Thor, Iron Man, Hawkeye and the Vision – had been battling Kang’s Legion of the Unliving. That group consisted of six supervillains that Kang plucked from the time-stream mere nanoseconds before their violent deaths. That realm exists outside of the time-stream itself, making it the ideal battleground for Kang the Conqueror’s latest attempt to possess the Avenger named Mantis, the Celestial Madonna, and through their offspring have control of all space and time. We pick up where we left off: in the labyrinthine catacombs beneath the castle of Immortus, the ruler of the realm of Limbo. And it certainly helped that they had a complex serial like the Celestial Madonna Saga running at the time that Marvel experimented with these Giant Size issues every 3 months. I will point out once again that the creative team at The Avengers did the best job of incorporating these short-lived “Giant Size” quarterlies into their ongoing storyline. GIANT-SIZE AVENGERS Volume 1, Number 3 ( February 1975) What Time Hath Put Asunder … FOR PART 1 OF BALLADEER’S BLOG’S EXAMINATION OF MARVEL’S SUPERHEROINE MANTIS CLICK HERE |
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